Freedom Dreams, Riotous Sounds and AI: NBHAP Newsletter #03

Hey there. Welcome to NBHAP’s newsletter. We are glad you’re here. Sit down, put on your headphones, drink a glass of water, and take a moment to browse through the music and stories we encountered this month.

It's been a little quiet over here the last month. Because our team has been busy working on their jobs to sustain their living, the newsletter has been paused for the month of June. Luckily, we were still able to publish interesting interviews with amazing artists during that time. Here is a recap of the past two months walking you through the essential articles and features on NBHAP (S'ouvre dans une nouvelle fenêtre).

Currently playing: Roufaida "Don't Bend"

It is raining in Berlin again. After almost six years of living in the city, I am still not used to what Berliners call summer. Either rainy or unbearably hot, there seems to be no appropriate dress for the temperature. The mild downpour this afternoon fits the mood as Roufaida (S'ouvre dans une nouvelle fenêtre) sings "I take what I need, I leave what I don't". The song is part of the Rotterdam-based Moroccan singer's self-titled debut EP and beautifully blends lyrics in Arabic and English. Give it a spin below and stay dry and cool!

Musical Manifestos and Riotous Sounds

June and July were months marked by conversations about change-making, empowerment, and confronting injustices. In our conversation, Sanni Est talked about her 2022 transmedia record "Photophobia (S'ouvre dans une nouvelle fenêtre)". It is a manifesto, a rejection of euro-centric aesthetics, etymological research and an artistic movement. Drawing on the roots of the Mangue Beat Movement in Brazil, Sanni Est (S'ouvre dans une nouvelle fenêtre) explores the transness of her voice and steps out of colonial constructs of gender. The charming singer talks about her wish to work and make music in a decolonial manner and the way the Western-centric industry makes it extremely hard to do that. In the end, "Photophobia" is a re-appropriation of classical European music education and a transformative multi-genre work of an artist who speaks with her authentic voice.

“What is expected of the trans body? What is expected of the trans femme body? How can I decolonize my music when I still feel like I have to be a cis woman? I took my time to find new aesthetics. It was very confrontational but now I feel invincible. It does not threaten my identity anymore.” - Sanni Est

Authenticity and the unapologetic expression of identity are the focus of the conversation NBHAP author Giulia Leonarduzzi had with the UK-based singer Grace Carter (S'ouvre dans une nouvelle fenêtre). After commercial success at a young age, the singer had to take time away from the industry to rid herself from the pressures and expectations that were projected onto her. She may still be a little lost, but she is also a little found as her new release "A Little Lost, A Little Found (S'ouvre dans une nouvelle fenêtre)" hints. A pop record at its core, the thematic focus of the record is the artist's journey to authenticity as well as the confrontation of injustices and discrimination on songs like "Riot". Exploring the riotous potential of music and multi-lingual feminist rap, author Sophie Romy spoke to the Catalonian rapper Santa Salut (S'ouvre dans une nouvelle fenêtre) about her political and personal lyricism.

“I was in a weird limbo, I did not know who I was anymore. I kept asking myself, ‘How do I connect with people when the way I connect to people is music?’”

- Grace Carter

When a peaceful protest turns violent, it is often called a riot. But how can you not riot when any other form of protest against injustice goes without inciting change? Music can be a vehicle for political thought and an instrument for organizing and activism. The poet aja monet (S'ouvre dans une nouvelle fenêtre) knows that. On her debut "When the Poems Do What They Do (S'ouvre dans une nouvelle fenêtre)", she underpins her powerful spoken-word recitals with jazz arrangements. A self-described surrealist blues poet, the artist gives detailed answers in our Q&A about topics like the intersection of jazz, ancestry and social movements, joy as resistance, and freedom dreaming.

"When I’m at my best, I’m a vessel and in service to something far greater than me. I have a lineage in flesh and in spirit and everything is in homage to that. I will always pay my respects because I could not do anything I’m doing without their blessing." - aja monet

Have you met...?

The up-and-coming, the hot new shit. In June and July, we highlighted five amazing new acts on our introducing radar. In early June, we met Sera Kalo (S'ouvre dans une nouvelle fenêtre) for an extended interview in Berlin to talk about their latest genre-fluid record "eXante" (S'ouvre dans une nouvelle fenêtre) and its impressive visuals. The Other End (S'ouvre dans une nouvelle fenêtre) took us to indie rock terrain with their debut that has been five years in the making. Worth the wait, as NBHAP author Norman Fleischer notes. Together with Miss Grit (S'ouvre dans une nouvelle fenêtre), we explored the futuristic electro sound of their debut "Follow the Cyborg" (S'ouvre dans une nouvelle fenêtre). The New Yorker musician behind the project, Margaret Sohn, produced and recorded the album in their home studio and showcases a broad musical range from synthy alt-rock to new wave and electronica.

NBHAP's Giulia Leonarduzzi got to know alternative rock singer Lore Vain (S'ouvre dans une nouvelle fenêtre) on a stroll through Berlin and learned that "rockstars are born (in the outskirts of Marburg)". Lore just released her new record "Agony the Muse (S'ouvre dans une nouvelle fenêtre)" and shared some of her favorite indie acts with us. Currently on "Introducing" rotation is the Cameroonian singer Cindy Pooch (S'ouvre dans une nouvelle fenêtre). Exploring polyphony and electronic sound, the artist released her impressive debut "Issemou" (S'ouvre dans une nouvelle fenêtre). Liv Toerkell asked Cindy some questions about connecting to the body through music and the power of polyphonic songs.

“[T]his music bears witness to my need to reconnect with myself through my body. The album is called ‘In Nomine Corpus’ after a song that I wrote and it is a scream for freedom to feel, to desire, to vibrate.” - Cindy Pooch

Tune into the current version of our Introducing (S'ouvre dans une nouvelle fenêtre) playlist below and follow it to not miss out on our weekly updates. Gain exclusive access to our archive of over thirty "Introducing" playlists by signing up for our monthly or yearly Support Plan (S'ouvre dans une nouvelle fenêtre).

Creative Uses of AI in Music

Another one of the burning questions at the moment: Will Artificial Intelligence replace humans in the creative process? Anna Grubauer spoke to the boundary-breaking artist Portrait XO (S'ouvre dans une nouvelle fenêtre) about her approach to using AI in the writing and recording process of music:

"AI can be a source of inspiration by providing feedback when you feed it your audio files. Or it can be useful in speeding up the production process, helping with aspects that artists feel they have less skill or desire to do entirely on their own. Portrait XO, for example, finds it helpful to use AI in the songwriting process but rather does the music production part herself. Or imagine a world where newcomers don’t have to pay for mixing and mastering, but can run their tracks through an AI tool to generate a profound result.

However, there is no point in denying the disruptive power of AI in every aspect of life. More and more activists are pointing out the problematic prejudices and distortions of algorithms. This has to do not only with the general lack of diversity among programmers but also with biased data sets. So it is important to emphasize that AI is always a reflection of society and its power dynamics. That is why Portrait XO encourages ongoing discussions and engagement with the topic, emphasizing the need to address the potential benefits and concerns associated with AI, within and outside of the creative realm."

“Technology is not replacing creativity. It’s creating new ones. You know, it’s a curatorial role that we’re taking on. And maybe everyone’s also gonna become a bit more multi-disciplinary and [AI will] help them do a full-blown A to B project all on their own.“ - Portrait XO

Click here (S'ouvre dans une nouvelle fenêtre) to continue reading the interview.

Listen Closely: Oliva Dean's "Messy"

There were so many exciting records released this month. Too many to keep up with every single one. Some favorites by the NBHAP staff (S'ouvre dans une nouvelle fenêtre) include Callum Pitt (S'ouvre dans une nouvelle fenêtre), Hak Baker (S'ouvre dans une nouvelle fenêtre), Sivu (S'ouvre dans une nouvelle fenêtre), Ava Rocha (S'ouvre dans une nouvelle fenêtre), Enji (S'ouvre dans une nouvelle fenêtre), Annie Taylor (S'ouvre dans une nouvelle fenêtre) and Olivia Dean's debut "Messy (S'ouvre dans une nouvelle fenêtre)", which Felicia Aghaye describes as:

… a warm embrace between loved ones.  

"Rarely are expectations set as high for a debut album as was the case for Olivia Dean (S'ouvre dans une nouvelle fenêtre)’s "Messy". And even rarer are those expectations just as easily met, if not surpassed. On "Messy", Dean shares wholesome memories of her family, but also the worries and sorrows of growing up and apart, all packed up in a suave mix of Brit soul, danceable groove tracks and beautifully vulnerable ballades.

2022 has been a busy year for the London singer. After a year of playing festivals and being on tour, Dean used these opportunities to peak some new material here and there, with "Dive" being a showstopping number that made me all the more curious about what Olivia Dean had in store for us. Now, the time has finally come to enjoy her debut in its full glory. We step from one groovy track to another, from laid-back serenades to more intimate songs. Dean reminisces about the changing relationship we have with family and friends, but also ourselves. The album title "Messy" encapsulates the emotionality of this journey beautifully.

An absolute stand-out, to me, is the concluding track "Carmen". Olivia Dean dedicated the album to her grandmother Carmen and in this song, describes the brave decision of the matriarch to leave her home country Guyana at just 18 years old and start a new life and family in the UK. The song feels like a heartfelt, warm embrace between generations, without being cheesy, or overstating the immense gratitude and love Dean evidently harbours for her grandmother. It’s danceable, soulful, and just so, so good." (Review by Felicia Aghaye)

Favorite Lyric

“Joy is together
It’s together unified on the frontlines
Our joy, our joy will astonish the world
Because joy, true joy has always been
And will always be
Justice”
– aja monet "black joy"

Berlin Focus / Events

In early September, the Berliner festival Pop Kultur (S'ouvre dans une nouvelle fenêtre) will take place once again at the local spot Kultur Brauerei. Showcasing a diverse line-up of artists and performers, the festival makes a mark by curating exciting and critical panel talks, commissioning work by multi-media artists like Anika (S'ouvre dans une nouvelle fenêtre), and collectives like A Song For You (S'ouvre dans une nouvelle fenêtre), their program of residencies across the globe allowing artistic exchange. Join us (S'ouvre dans une nouvelle fenêtre) at the festival to see the final projects by NBHAP favorites like Aka Kelzz (S'ouvre dans une nouvelle fenêtre), Rasha Nahas (S'ouvre dans une nouvelle fenêtre), and Sophia Blenda (S'ouvre dans une nouvelle fenêtre).

On the 20th of August, the Berliner label Alvozay (S'ouvre dans une nouvelle fenêtre) (founded in 2020 by the rapper Ebow and DJ Tmnit Ghide) celebrates its first festival. At Festsaal Kreuzberg, the line-up highlights queer-feminist and BIPoC artists from Berlin and beyond. Get your tickets here (S'ouvre dans une nouvelle fenêtre) to see artists like Douniah, Ilgen Nur, Nalan (S'ouvre dans une nouvelle fenêtre), The Rafiki Collective, and others.

What's Next?

August has traditionally been our month of summer break, so we will be posting less content on our website and Instagram account. However, before signing off, we published Anna Grubauer's investigative piece on the future of festivals. What can we expect from festivals in a socio-political sense? What challenges are there for festivals in regard to financing and curating inclusive and diverse line-ups? You can read what Anna found out in her conversations with the booking and organizational team of MS Dockville, Maifeld Derby and MELT right here (S'ouvre dans une nouvelle fenêtre).

“We definitely see ourselves as a place to bring together people who have an interest and passion for music and art, and to provide a stage for artists to get in touch with those same people and spread their social or political messages,” Beke Trojan from MS Dockville says.

Stay tuned for our personal guide for the Pop Kultur festival going live in mid-August. In September, we will return reenergized and introduce you to exciting new acts.

On That Note

Before you go on with your day, here is one more song to give a spin right now. "On/Off" has been released as part of the new record "Nektar (S'ouvre dans une nouvelle fenêtre)" by renowned Brazilian singer and performer Ava Rocha and is an interesting sonic experiment blending rhythmic percussion with electronic beats.

Follow our Daily Tune playlist (S'ouvre dans une nouvelle fenêtre) to receive new music daily.

Our NBHAP playlists are currently still curated on Spotify only. While we are working on changing this, we encourage you to consider alternatives like Tidal (S'ouvre dans une nouvelle fenêtre) for a fairer compensation of artists you love, or go old school and support them by buying merch and vinyl. Remember that the best day to make your purchases is Bandcamp Friday (S'ouvre dans une nouvelle fenêtre), where 100% of the proceeds go to the artists. Head over to Bandcamp to make your purchases today (August 4th).

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Thank you for reading and listening.

Love, NBHAP Team