"Time has no meaning in Kaili Blues. Everything is. Temporal orientation is impossible and unnecessary. The film is no more than an invitation to float with the characters. A long circular, counterclockwise camera movement to the left, a long circular clockwise camera movement to the right – the camera becomes an indicator of the nature of time. Time is circular. There is repetition, there is rebirth. Freedom, relief, means breaking out of this circle. But Bi Gan doesn’t allow us to break out."
I was genuinely surprised by the film, and I hope to see Bi Gan's new film sometime soon. Read my full review of Kaili Blues on my site.